LOOKING BACK 50 YEARS TO 1970 BORDEAUX

Fond memories during this lock down looking back 50 years to the earlier days that first sparked my continuing passion for fine wine. The year 1970 was this scribe’s first visit to Bordeaux. Those were the good old days of few tourists with most wine merchants located along the Quai de Bacalan in the Chartrons district. They all had time in those days to spend with a curious taster and this was my first meeting with many of them who turned into long term friends. The most instrumental on this trip was Rene Barriere whose firm had almost an exclusive on what turned out to be several top properties he sold to Belgium including L’Arrosee & L’Eglise Clinet. Rene kindly allocated a case of 1961 L’Eglise Clinet (cost $6.05/bottle) one of the Pomerols not replanted after those 1956 frosts which turned out to be a legendary wine treasure.

Subsequently acquired from Barriere many wines from the successful 1970 vintage which provided a lot of enjoyment and knowledge over the years. Many experiences adoring cellar worthy 1970 Chateau Grand Puy Lacoste yet learning early on about both bottle variation and scores as Robert Parker’s first Bordeaux book (1985) scored it only 74 stating it was inconsistent and “not up to the standards of the vintage” though in subsequent editions in 1991 was raised to 90 & in 1998 to 91 “convinced the off bottles had been cooked.” Also always a big fan of classic 1970 Latour, Ducru-Beaucaillou, Palmer and Lynch Bages. The vintage was hyped on arrival coming after very poor years of 1969 & 1968. Harry Waugh in his “What to drink in 1973” for IWFS remarked that “the excellent 1970 clarets had already doubled in price with world demand and speculation – how much of the 1970 vintage was bought by people who really mean to drink it?” Great foresight by him that applies to lots of subsequent vintages over the last 50 years! Some of us feel the 1970 vintage is slightly underrated overall because it has no super star holding the vintage banner high for it in the same way you have 49 Cheval Blanc, 59 Lafite, 61 Palmer, and 89 Haut Brion among so many other top years.

During the first half of this unique pandemic year your scribe has had the opportunity to study quite few different 1970 Bordeaux over dinner. They now are mature lighter (most don’t list alcohol on the labels and those that do say 12 degrees) drier with more acidity and yet so perfectly paired with food. They still retain interest in this style with that special complex elegance that Bordeaux does so well. So much fun to open old bottles and still be surprised as to how long they have aged successfully. A rare treat. They may not be the choice for those that prefer younger riper bigger fruit wines which also can be impressive but often more difficult to drink and taking a much more assertive role when matched with accompanying food. Probably most consumers would prefer somewhere in the middle where there is still prominent fruit left but also a harmony of coming together with softening tannins and tertiary notes. Experiment to learn your own aged preferences.

Some brief 1970 wine notes on 9 bottles:

CUVÉE DE LA COMMANDERIE DU BONTEMPS: A Medoc AC wine of “4670 bouteilles” bottled by Cordier at St. Julien-Beychevelle that seemed a lot like Chateau Talbot – a beautiful surprise indeed.

CHÂTEAU D’ANGLUDET: This Sichel Margaux always starts out with more colour than Palmer but now is coarser with the fruit dried out. Drink up. 83 & 85 holding better and current vintages excellent value.

CHÂTEAU CHASSE-SPLEEN: Favourite underrated Moulis & never disappoints with fruit roundness. Delightful now.

CHÂTEAU MOUTON-BARON-PHILIPPE: Several name changes from this to Mouton-Baronne-Philippe and back again to D’Armailhac. More of a baby Mouton back in those days than now but lighter elegant cedar of Pauillac.

CHÂTEAU GRAND PUY LACOSTE: Always found this property to deliver excellent quality for the price and balanced for extended aging. Big collector. Picked earlier but captured a lot of Pauillac character and vintage style that continues to delight.

CHÂTEAU LYNCH BAGES: Bigger richer subtle spiced fruit that still carries on well. Michael Broadbent captured it in his The Great Vintage Wine Book noted “Cabernet aroma, ripe fruitiness, cinnamon overtones, loads of tannin and acidity. Long life ahead.” So appropriate.

CHÂTEAU DUCRU-BEAUCAILLOU: Still a deep dark look with paling rim. Impressive fruit as one of the top 1970s for sure this Super Second. Wonderful textbook St. Julien that really sings with roast duck tacos!

CHÂTEAU PALMER: One of the great acquisitions by Peter Adams consultant for BC LDB and sold for $11.50 in December 1975. High praise for this property in 70, 66, and 61 – and many more current vintages too. Also really like their 1989 (and 1983). Merlot and cab skillfully blended to great effect for other-worldly bouquet and smooth textures is still so enjoyable.

CHÂTEAU LATOUR: First Growth level. Underrated in classic old style wine making that will still get better IMHO. Some wine writers say it is going down hill but bottle variation again. Well stored bottles can really impress with their typical density and that acidity balance keeping the wine fresh so finally coming around to greatness.


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Ask Sid: What is the grape used for Valtellina?

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Question: What is the unusual grape that they use in producing Valtellina red wine?

Answer: Nebbiolo. However in this part of Lombardy Italy the local moniker for the grape is the more unusual CHIAVENNASCA rather than Nebbiolo which is better known and used in Barbaresco & Barolo.

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COOL CLIMATE i4C 2020 HOMESCHOOL EDITION

Cool climate is becoming ironically even a “hotter” topic than when this focused wine discussion first started out in Ontario ten years ago. Climate change has been a really important issue this last decade and continues to be so including especially for grape vineyards. This year’s i4C conference had three webinars (called homeschool edition) highlighting “a decade of cool” with some thought provoking key speakers July 17-19, 2020. Next year is scheduled July 23-25, 2021 – same opening date as postponed Japan Olympics.

ANDREW JEFFORD opened by stating cool climate (defined as having a seven month median temperature below 16C or 61F & 1500 Growing Degree Days) “by itself is not enough” but you want your place to be a best distinguished terroir site. The grail is not cool climate but pleasure & charm in your wine being “deliciously cool”! He examined in more detail the regions of Chablis, Saar Germany, and Alsace as cool regions but just making delicious wine.

MATT KRAMER followed reflecting back over 42 years of writing before there were cool climate discussions suggesting it was more a New World concept. Tried to define it by looking at ripeness factors including high acidity and differences between style & character but felt it was best summed up as “where it is not a sure thing to ripen”.

IAN D’AGATA with some difficulty of sound/video break-up cited historical climate change data back to 1760 but more recently the warmer winters for pest concerns and freaky extremes including floods, fires and the like.

KAREN MACNEIL pondered what is “ripeness” (what is truth?) and when does flavour click in. Can’t say move to Carneros as the answer or just pick early and call it cool climate. Perhaps too many “talk the cool talk but don’t walk it.”

A good dialogue followed with MK raising the influence of the accompaniment of food and AJ the actual drinking of wine as an experience rather than just tasting it with the place it is from being key as coming first to mind. Moderator Magdalena Kaiser boldly put the four speakers to task on seeking out their opinion of Ontario chardonnays. All were laudatory with MK finding distinctive “minerality” especially in Prince Edward County that is hard to find this style in California, Oregon & Washington. KM loved the maximum flavour with minimum weight – energy tension “ballet watching”. IDA born in Canada couldn’t find these in Italy with world class chardonnay balanced acidity communicating the essence of the site specific land. AJ finds impressive chardonnay around the world but often hard to drink with no non-European doing it as well in a soft, supple subtle enjoyable drinking. High praise indeed.

A second panel with Canadians of regional representation included JOHN SZABO (Ontario), TREVE RING (BC), BRAD ROYALE (Alberta), and VERONIQUE RIVEST (Quebec) who all did an admirable job at trying to examine further this undefinable “cool climate”. They looked at charts of GROWING DEGREE DAYS for the 7 months of April 1 to October 31 using the mean temperature per month (less 10C) times the number of days in that month to get a total. The range of 14 regions shown was from Epernay (Champagne) low 1050 to South Okanagan of high 1552 (North Okanagan shown at 1325). However when you examine it closely obviously this can’t be the total answer to cool climate because Beaune is 1315 but warm Napa at 1450 is lower than both cool Niagara Peninsula (1485) & Geisenheim Germany at 1550. Therefore they looked at a Washington State chart on soil temperatures clearly showing grass surface 3.7C lower than Basalt stones (20.7-24.4) but also subsurface of them 3C (22.2-25.2) . Also the importance of latitude as well as altitude & elevation, diurnal swings (more important in hot regions), bodies of water, winds, and sunshine hours. JS made a great point that sunshine used to be your friend always wanting more but now “is sunshine the new rain?” as can be too much of it. Canopy covers have become important and “berry temperature” is the key or “photon flux density” to your resulting fruit in the vineyard. A final third less formal more fun casual social tasting of Ontario wines with John Szabo & MICHAEL GODEL concluded this most educational virtual conference. Very well done indeed!

The full 1 1/2 hour keynote video and second seminar are below:


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Ask Sid: Which wine regions and grape varieties dominate in New Zealand?

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Question: Which wine regions and grape varieties dominate in New Zealand?

Answer: Presently Marlborough dominates with 70% of the producing vineyard area followed next by Hawke’s Bay and then Central Otago, Canterbury, Gisborne, Nelson and Wairarapa. As everyone knows the main grape variety is Sauvignon Blanc with over 60% of the planted vines followed by Pinot Noir, Chardonnay, Pinot Gris, Merlot, Riesling and Syrah.

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SEARCHING FOR THE BEST WINE PAIRING TO GO WITH MOREL MUSHROOM RISOTTO

We enjoy this time of year with so much fresh produce arriving at your local food markets. Lots of seasonal vegetables (squash blossoms, pea-pods, & baby potatoes) coming into their own and those delectable juicy berries – blueberries, raspberries, strawberries, and cherries. Still waiting for the remarkable annual selection of heirloom tomatoes due later in the Summer with our fresh wild salmon run. Good forager searching right now and especially for mushroom hunters for those best wild fresh morels. They come in various colours from light blonde to grey to quite dark with a variation in quality. Some can be quite smoky from recent forest fires. There are so many versatile cooking methods but one of our favs is to saute them first (combo of butter & EVOO) and then finish by adding into a creamy risotto using homemade chicken broth. We prefer longer grain firmer textured Carnaroli rice (or classic versatile faster cooking Vialone Nano) but others may like the shorter grain Arborio. This recipe highlights well their unique rich nutty earthy flavours to best advantage. What wine to match with that dish?

Your scribe spent sometime thinking about a new pairing that might work well with this superb course. Checked Partners by Andre Simon but nothing specific was listed for morels or even a mushroom course. Lots of memories of our past successful matching of morels with a top quality chardonnay of say Hamilton Russell from South Africa, Leeuwin Estate Artist Series from Margaret River in Australia, Kistler Vineyards on Sonoma Mountain in California, and CheckMate Little Pawn in the Okanagan BC. Often have a go-to using Saint-Aubin, Meursault Perrieres, or Corton-Charlemagne. But so much great chardonnay these days being produced from around the world that it is hard to go wrong unless you choose something too sweet, too soft, or too oaky. A wine collector friend persists that only Chateau-Chalon vin jaune from the Savagnin grape in the Jura of eastern France works with morels – and buttered snails. Of course we also have some great memories of mushroom risotto with sparkling wine and especially versatile Champagne. However wanted to have a red wine on this occasion so these whites just didn’t fit. An earthy pinot noir just seemed too easy and brought back vivid memories of many outstanding ones from earlier days. Wanted something different. Thought about Italy because have found their diverse regional wines usually are excellent with Porcini or Matsutake (Pine) and of course Piedmont a must with white truffles. However morels are so distinctive with those smoky quite earthy tones that we wanted to doubly capture in the wine as well. Perhaps an even younger fuller red wine might work well if the morels were accompanying a chicken or a veal chop but we were spotlighting them mainly on their own this time. After racking my brain over several alternative choices finally decided the mature 1983 (better than their 1982) Domaine de Chevalier Rouge from Graves in Bordeaux had those smoked herbs, earthy, more mineral notes and was worth a try. The result was certainly a success with some of those same nuances present in both the wine and the morel risotto dish that when combined together made a more intense complex whole. However still second guessing myself and wonder if maybe an earthy lighter Malbec from Argentina or serious Cabernet Franc from either the Loire or Canada (successful variety in both Ontario & BC) might work just as well. Lots of choices out there to have next time. Maybe go back to my usual quality whites or red Burgundy? What would be your choice?

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