Ask Sid: Lanolin?

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Ask Sid: Lanolin in wine
By Sylvain Demettre [CC BY 2.0], via Wikimedia Commons

Question: At a recent wine tasting the speaker spoke about the presence of “lanolin”. What does that mean?

Answer: Yes that term is confusing because it is defined in the Oxford Dictionary as “fat found naturally on sheep’s wool and used purified for cosmetics”. It is sometimes used to describe a rich textured slightly lemony flavoured wine that reminds you of the smell of a natural wool sweater. It often is particularly apt for the characteristic aromas of the Semillon grape and for quality Sauternes sweet wines with a more “oily” character. Look for it.


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Magical Menu with Château de Fargues Sauternes

Magical Menu with Chateau de Fargues Sauternes

On January 31, 2016 Prince Eudes D’Orleans Directeur General of Château de Fargues (Lur Saluces) presided over a dinner in Vancouver matching well top vintages of his Sauternes with some brilliant Asian inspired dishes by the team of Chef Angus An (Maenam & Fat Mao Noodles in Vancouver) and visiting Chef Antonio Park (Park Restaurant & Lavanderia in Montreal). This memorable evening started with magnums of Pol Roger Extra Cuvee de Reserve Champagne for BC Dungeness Crab Cromesquis with charred pickle & Uni Ikura Cracker, ginger, lime, spot prawn cracker.

2009 Château de Fargues so ultra rich with lots of “noble rot” botrytis drinking forwardly with Park’s Charcoal Grilled BC Albacore Tuna, Montreal Steak Spice, Aji Verde, and Chimichurri.

2005 Château de Fargues an exceptional vintage with better balance from 5 picking passes from September 27 to October 27 explosive yet smooth and refreshing with An’s spicy Southern Thai Turmeric Curry, Uni emulsion, Smoked Sablefish, Crab, Lobster, and Mussel. A big hit!

2001 Château de Fargues has a wonderful classic style of very best balance with deepening colour showing that typical “white flowers, tarte tatin, honey and citrus zest” pairing well with Park’s Chawanmushi & Sashimi, Japanese egg custard, herring roe, salted ikura, uni, mirugai, tosazu Hamachi & hotate sashimi. Unique.

1995 Château Tertre Roteboeuf  (“Hill of Belching Beef”) for a change of pace top Bordeaux red showing rich, powerful, and complex appropriate for the 2 chefs combining work on diverse “Lettuce Wraps” with herbs & other greens for Waygu Beef & Duck Breast (and some foie gras which also was divine with a little 2001 I had left) and Relishes of both Crab & vibrant Smoked Mackerel

2011 Château de Fargues still fresh young and superb with only 3 passes in the vineyard (and as usual picking about a week before Château d’Yquem) for An’s outstanding finale of Cheesecake Semi-Fredo, Tamarind Tuile, Guava Sorbet, Passion Fruit Puree, Lime Crumble.

The menu was really an inspirational tour de force by both these talented chefs and executed so very well to match these classy wines. All wines were served to perfection by the knowledgeable crew including wine writer/sommelier Kurtis Kolt and Maenam restaurant manager/sommelier Kristi Linneboe.  Also Eudes received lots of valuable original menu ideas to take back to his newly hired female Executive Chef (with Paul Bocuse experience) for upcoming events at Château de Fargues. Really an eye opener on the quality of Château de Fargues (since 1472) and the versatility for food pairings with Sauternes!

What is your best recommendation for a food item to match Sauternes?


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Book review: The Widow Clicquot

Book review: The Widow Clicquot by Tilar Mazzeo

By Joseph Temple

With a bright and distinctive label that catches your eye immediately, Veuve Clicquot Ponsardin is world-renowned for producing some of the finest bubbles on earth. Founded in 1772, it would take more than forty grueling years before its legacy became etched in stone as the preferred champagne house of kings and queens following a legendary ‘Comet vintage’ in 1811. Surviving both crippling trade barriers and a Russian army occupying its terroir, one woman bravely stood at the helm during this uncertain era and would eventually lead her company to unparalleled prosperity. Her name was Barbe-Nicole Clicquot Ponsardin, a grieving widow that went on to become one of the most successful businesswomen in history.

That is the subject of The Widow Clicquot: The Story of a Champagne Empire and the Woman Who Ruled It by historian Tilar J. Mazzeo. Published in 2008, the author paints a fascinating picture of both Ponsardin and the ordeals she went through in order to make her massive fortune. After the death of husband François Clicquot, Barbe-Nicole was allowed to freely pursue her passion for winemaking, a right that few French women in the early nineteenth century enjoyed. “Under the laws of the Napoleonic Code, a married businesswoman had a shadowy legal existence,” writes Mazzeo. “According to statute, a woman entrepreneur could not defend even a simple contract without her husband’s permission. But as a widow—and especially as a recognized public trader—Barbe-Nicole could make her own decisions.”

But as head of a champagne house during the First French Empire, Ponsardin was held hostage to the wars being waged by Napoleon Bonaparte. With a blockade imposed by the powerful British Navy on French exports and a mercantile system at home, finding new markets for Veuve Clicquot champagne became almost next to impossible in this harsh economic climate. Having to find creative ways, both legal and illegal to ship her wine, Barbe-Nicole decided to roll the dice with a move that would either make or break her. Entrepreneurs who understand the enormous risks that need to be taken in order to strike it rich will definitely enjoy the chapters dealing with Ponsardin’s challenges and her eventual triumph.

Madame Clicquot
Madame Clicquot Ponsardin

Additionally, one of the book’s greatest strengths is the dichotomy shown during that time and the present. While today we take trade and commerce that is largely uninterrupted for granted, Ponsardin and her fellow champagne makers were at the mercy of blockades—shipping their product as contraband was sometimes the only option. And being occupied by a foreign power is something few vintners today will have to go through.

To her credit, Ponsardin didn’t see Russian soldiers so much as invaders but as future customers. Bringing back their thirst for bubbly, Veuve Clicquot used that buzz to dominate the lucrative markets in Moscow and Saint Petersburg, which may come as a surprise to many who have viewed Britain and France as the two historic hotspots for champagne. Describing this Russian frenzy, Mazzeo writes: “Those same aristocratic officers who had come to love her wine during the occupation of Reims were now prepared to buy her champagne at any price. Soon, Czar Alexander declared that he would drink nothing else. Everywhere one heard the name of the Widow Clicquot and praises for her divine champagne.”

Keeping Veuve Clicquot one-step ahead of the competition, Ponsardin created the system known as riddling or remuage, where the bottles are turned periodically in order to move the sediment towards the cork. Again, Mazzeo provides us with great context in showing the stark differences in how champagne was made back then and how it’s made today. Dealing with mostly sweet tasting vintages packaged in uneven sized bottles that could easily explode in your hands, winemaking was truly a labor of love where none of the scientific advances that the Champenois enjoy today were at Ponsardin’s disposal. Although the technique of riddling is still with us after two hundred years, comparing the past to the present seems almost like night and day.

Whether your interest is in viticulture, history, marketing or economics, there is something for everyone in The Widow Clicquot. By focusing on this amazing story full of twists and turns that is meticulously researched, Mazzeo makes sure that the next time you see that famous yellow-orange label at the next soiree, you’ll have an arsenal of anecdotes to impress your friends as you sip this famous champagne!


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Ask Sid: Wine for Chinese New Year Dinner?

Ask your question here The International Wine & Food Society

Ask Sid: Wine for Chinese New Year Dinner

Question: Want to serve a fun wine for the Chinese New Year on February 8 and would appreciate any recommendation you can make Sid.

Answer: Great idea to have something festive and to match well with Chinese food. Recommend from the Okanagan the Haywire 2016 Lunar New Year White $18.90 (gewurz & chardonnay with a touch of viognier and pinot gris showing floral spices) and 2016 Lunar New Year Red $19.90 (gamay & syrah shows juicy peppery fruit). Wonderfully designed symbol in red and gold colours with the symbol appropriately celebrating The Year of the Monkey! Great bottle shot at http://bit.ly/1OXlhBr to check out. Order through website www.okanagancrushpad.com or at http://bit.ly/1PR3A6k. Gung Hay Fat Choy!


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Surprising Old White Burgundy – 1957 Batard-Montrachet Doudet-Naudin

Surprising Old White Burgundy - 1957 Batard-Montrachet Doudet-Naudin

We all know that wine can age. However we usually think in terms of reds, vintage port, Madeira, sweet whites and the like. Certainly there are some dry whites out there that seem to age forever – Tyrrell’s Vat 1 Semillon is one good example. You don’t hear much these days about old aged white Burgundy. In fact you now hear the opposite buzz that it is safer to drink them earlier on. Chardonnay can age well particularly from Burgundy pre the mid-90s before those worrisome pre-mox issues first arose.

At a recent Burgundy event there were several treasures contributed including a quintessential biodynamic red Burgundy 1999 Nuits-Saint-Georges “Les Pruliers” 1er Cru from Etienne Grivot showing that magical complexity of power with finesse and intensely delicate. Another star was my interesting bottle of white Burgundy now nearly 60 years old the 1957 Batard-Montrachet from Maison M. Doudet-Naudin. Fortunate to taste with Yves Doudet of Domaine Doudet-Naudin in Savigny-les-Beaune several times during the late 80s where they had so many ancient bottles covered in mold lying peacefully in their very cold cellar. On one such visit at an extensive old white wine tasting I was impressed with the acidity fruit balance shown in their Grand Cru Batard from 1957. Eventually I acquired some bottles in 1991 which were recorked at that time before being shipped to me in Vancouver. Vintage 1957 was described by Michael Broadbent as “Quite good, firm, rather acidic but flavoury wines” and Clive Coates in 1997 when the wine was only 40 years old said 57 whites “are good but now past it”. Surprising to all at this recent tasting that this bottle showed a lovely lemony zest with a layer of almost sweet very nutty walnut-like flavours. Mature yes but not oxidized with only just a little touch of maderization complexity and not clearly past it. Delicious. There are old white Burgundies out there usually at great value particularly in many of the old cellars in Burgundy or at auction. Keep an open mind about them and you too might experience a rare treasure of history.

Have you tried any very old white Burgundy?


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