Mouton Rothschild

Chateau Mouton Rotschild Bordeaux wine
By Benjamin Zingg, Switzerland (Own work) [CC BY-SA 2.5], via Wikimedia Commons

Mouton Rothschild was a Second Growth in the original 1855 Bordeaux Classification but by decree of June 22, 1973 it became instantly a First Growth.  I have been an avid follower of this property even before their elevated status and fortunate to have tried many of their old vintages. Some that were truly outstanding vintages included 1961, 1959, 1949, 1947 and 1945. However a couple of disappointing verticals of this property back to the late 1800s and early 1900s had some of us saying maybe that was why it was declared originally as a Second. I admire the history, their inception of chateau bottling, the museum, and the unique distinctive labels (Dali 1958, Chagall 1970, Picasso 1973, and Warhol 1975). I also like the classy drinkability of the wines as well as their more value priced Fifth Growth Pauillac neighbouring stablemates Clerc Milon & D’Armailhac (formerly Mouton-Baronne-Philippe). Enjoying presently the perfumed stylish 1999 and riper 2003 of this latter wine while waiting for the 2000 to fully develop. The former chateau is much improved over the last 30 years with an impressive solid 1996. Look for both of these properties. It seems trendy among wine pundits presently to perhaps unfairly criticize Mouton as the most inconsistent of the First Growths though all of them have had their ups and downs. Certainly this was true during the difficult 1970s for many chateaux including Mouton and the 1990 vintage too but not warranted recently. I tried several vintages of Mouton over the last couple of months including a vertical back to 1975 and these are some of my brief impressions:

2006 & 2005: Both vintages impressive for their depth of fruit and age ability so continue to hold them.

2001: Lighter and more forwardly and can open them now. Prefer years 2002-2004 with 2003 best of the three but all approachable though not for me the very top quality of 2000 or 2005-2006 vintages.

1990: Some tannins left so decant but a little too lean with less fruit than ideal. Prefer both Pichon Baron & Lynch Bages.

1988: Some mocha-cedar bouquet but still tannic and the last year of that classic style vintage.

1986: Tried this several times in 2015 with 100 point Parker high expectations but though very dark concentrated with big fruit it still shows primary  and not seductively singing out yet. Show potential but suggest waiting a few more years.

1985: Like the elegance harmony and charm. 1985 often an under rated vintage while here again so delicious with round complex textures.

1983: Some August rains in the region but the wine surprises with balance and stylish drinkability.

1982: Several bottles tried consistently show rich ripe and fabulous fruit deserving the vaunted reputation and the high marks of Parker 100. Enjoy but will hold well too.

1979: Colour holding but simpler and ready for drinking now.

1978: The 2 different Jean-Paul Riopelle labels are intriguing but the wine is lighter and pleasantly mature. Consume.

1975: Cellared lots of this at a cheaper purchase price acquired in the late 1970s. Monitored it over many years and it started out very tannic hard and dry until more recently. Now has mellowed somewhat but still in that powerful tannic style that has a true Pauillac bouquet but shows better still with food like lemon glazed roasted rack & loin of lamb with roasted cauliflower & puree with dehydrated grapes.

1970: On release was considered an excellent year (coming after difficult 1969 & 1968) but beware of poorly stored bottles now. Latest one was a well stored example that was really beautiful with tobacco, cedar and all that special Mouton bouquet and taste! Classic.

Mouton Rothschild barrel room


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Tulip, Flute or Coupe: Which glass do you prefer for the holidays?

tulip, flute or coupe champagne glass, which one do you like?

By Joseph Temple

If you plan on popping the cork on a bottle of Champagne this Christmas or New Year’s, you’re not alone! According to several consumer studies, approximately one third of all sparkling wine sales occur in the joyful month of December. That’s probably because little celebrates the festive spirit more than an opulent bottle of bubbly! Whether it’s traditional Champagne, Prosecco, Cava or any of the many other sparkling wines produced around the world, that excitement of hearing a loud pop followed by your taste buds soaking in millions of little bubbles is almost tailor made for the holiday season.

With drinking fizz comes another vital decision you’ll have to make – which glassware to use?

Coupe

If you’re looking for a retro chic, Great Gatsby-esque feel to your holiday party, you might want to invest in some old-fashioned saucer or coupe glasses. A shallow cup that widens at the rim, legend has it that it was molded from the breast of Helen of Troy and later Marie Antoinette to give a sensual experience to those who drank from it. Popular in France from the 1700s to the 1970s, Americans will most likely identify this glass shape with the glitz and glamour of the Roaring Twenties, conjuring up images of both luxury and wealth.

Unfortunately, besides its throwback appeal, there aren’t many advantages to using a coupe. With a larger area exposed to air, not only does this increase the chances of spilling your glass but the bubbles and aromas will also dissipate much more quickly. And unlike a flute or tulip, it is difficult not to hold this glass by the bowl, which can heat the wine with your warm hands. So after you’ve built that champagne tower, you’ll need to drink it fast before it goes flat.

Flute

Like bubbles? Then you generally can’t go wrong with a tall and narrow flute—another staple of Hollywood extravagance. Due to a rough bead at the base of this glass, the bubbles will congregate and then quickly rise to the top.   Enhancing the smell and aromas, this style is especially recommended when drinking sparkling wines such as Prosecco and Cava since it shows off the bubbles better and will keep the drink colder for longer.

However, with older wines that need room to collect and develop, flutes may not be your best bet. Designed to retain carbonation, the smaller air space can result in many of the flavors and aromas of more complex vintages getting lost in the shuffle.

Tulip

Perhaps technically the best glass among Champagne aficionados is the tulip. With a slim base and a wider bowl, you get all the bubbles of the flute but more room for the flavors and aromas to develop without losing carbonation quickly.

Which one do you prefer? Vote in the poll below or add your two cents in the comments section.

Cheers!

Sources:

Golden, Jilly. (2014, October 14). Why we’re all using the wrong champagne glasses. Mail Online. Retrieved from http://www.dailymail.co.uk
Smedson. (2014, October 24). Which Champagne glass shape is the best? Glass of Bubbly. Retrieved from http://www.glassofbubbly.com
Zraly, Kevin. Windows on the World Complete Wine Course. New York: Sterling Publishing, 2010.


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Ask Sid: Removing Red Wine Stains in Decanter & Glasses

Ask your question here The International Wine & Food Society

Ask Sid: Removing Red Wine Stains in Decanter & Glasses

Question: What should I do to remove red wine stains in the bottom of my decanters and some of my wine glasses?

Answer: First try a prolonged soak in very hot water with some vinegar, salt, baking soda, denture cleaner or mild powdered detergent. Finish the cleaning with a soft brush. Personally I use and am very happy with the results from Stem Shine an aroma free glass washing detergent that contains a glassware corrosion inhibitor. It is distributed by The Wine Enthusiast Companies in Elmsford New York and can be ordered on line at www.wineenthusiast.com. Works well on fine crystal too and the rapid evaporation is supposed to eliminate streaking. Good luck.


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Barolo Vintages + Pio Cesare

Pio Cesare Barolo
CC 2.0 Image courtesy of Jacob Bøtter on Flickr

Pio Boffo of Pio Cesare from Alba Italy was just in Vancouver for a dinner showing some of his excellent Piedmont wines. He is 4th generation of the estate vineyards started in 1881. They now own 70 hectares (160 acres) with historic cellars but I have also met up with Pio not only there but on his tours around the world including seminars at the Wine & Food Festival in Singapore. At a tasting with his father just before he died in December 2000 Pio received what he considered a rare compliment from him that with money available to buy the latest equipment Pio was still making wines now the same old classic way he had done. I was fortunate to sit next to Pio on this visit while enjoying two of his famous single vineyards – the “darker bigger fuller” 2010 Barolo Ornato (9,000 bottles) & the more “elegant feminine finesse” of 2010 Barbaresco Il Bricco (5,000 bottles). Pio says they are “brother & sister in the same family and one is not more important than the other” and compares nebbiolo to domaines in Burgundy where “all are pinot noir but still quite different”. He believes that 2010 “will be for long aging with big fruit hiding the high acidity and balanced tannins underneath”.

The 2015 Piedmont harvest has been completed marking Pio’s 44th vintage back to his 1st one in 1971. During dinner I pressed him for his brief summary on Barolo crops and resulting wines over the past years. His knowledgeable comments are summarized as follows:

2015:  Perfect. Best berries in 44 years for him. Down 25% from 2014 but the healthiest clusters ever. Clones recently producing less weighty 250-300 grams allowing more clusters per vine and intense smaller berries with darker colour & better tannins. Blends of vineyards will be outstanding in 2015 as well because all the raw material is truly excellent.

2014: Concentrated big fruit from challenging vintage that Pio loves.

2013: Another 2010 with even more guts for nebbiolo.

2012: Elegant but not too concentrated with purity vibrancy and longevity.

2011: Warmer year with some concentration.

2010: Cooler weather long ripening leaner more classic style.

2009: Hotter but round and silky.

2008: Purity of fruit.

2007: Warm Powerful.

2006: Cooler Classic style.

2005: Smaller crop Good acidity Firm tannins.

2004: Late picking resulted in a very good warmer year.

2003: Unique Heatwave Older vines fared better.

2002: Poorest conditions.

We both like the old style for long aging of 1996s.

Do you have a favourite Barolo vintage?


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10 interesting facts about the wines from Long Island

10 interesting facts about the wines from Long Island, New York
By Joseph Temple

It’s hard to believe that the flourishing vineyards you see today across Suffolk and Nassau counties were once used for growing simple spuds less than fifty years ago. But in the early 1970s, a watershed moment occurred when academics at Cornell University thought the cool climate influenced by the Atlantic Ocean made Long Island the perfect spot for viticulture in lower New York State. Starting with a few visionary trailblazers who decided to put that theory into practice, the island’s wine industry has grown enormously to over 4000 vineyard acres and 56 wine producers by 2015. Benefiting from a supportive state government while being part of the largest consumer market in North America, Long Island has become more than just a picturesque getaway of palatial summer homes. With three recognized AVA’s, it is now an integral part—along with the Finger Lakes and the Hudson Valley—of New York’s growing wine business. And below are ten facts to get you up to speed on the wines from Long Island.


The first Long Island vineyard was planted in 1973 by Alex and Louisa Hargrave
http://www.cgpgrey.com [CC BY 2.0], via Wikimedia Commons

1. Long Island’s first vineyard was started by Alex and Louisa Hargrave in 1973 when they purchased over sixty acres of land in Cutchogue, New York.  Cabernet Sauvignon, Pinot Noir and Sauvignon Blanc were the first grapes to be planted.
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Most of Long Island's vineyards are located on the North Fork

2. The vast majority of Long Island’s vineyards are located on the North Fork of Suffolk County – a thirty-mile peninsula on the island’s east end.
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Long Island vineyards benefit from a mdoerate climate
http://www.cgpgrey.com [CC BY 2.0], via Wikimedia Commons

3. On the North Fork, the waters have a moderating effect, cooling the hot summer temperatures while curbing the cold winters of the American northeast.
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Long Island is a great place for Merlot and Cabernet Sauvignon
http://www.cgpgrey.com [CC BY 2.0], via Wikimedia Commons

4. The ripening period on the North Fork is two to three weeks longer than it is in the Hamptons, which can get spring frosts as late as May and where the prevailing winds are cooler.
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Long Island is known for Merlot wine grapes
By Dianne Patrizzi [CC BY 2.0], via Wikimedia Commons

5. Because approximately 2/3rds of New York wines come from the Finger Lakes, the state is often thought of as a white wine region.  However, Long Island is known largely for its red varieties such as Cabernet Sauvignon and Merlot – which can be full of spice, black cherry and blueberry aromas.
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Long Island comparison to Bordeaux

6. Due to island’s maritime microclimate and the red wine grapes it’s most known for, local vintners see many similarities between Long Island and Bordeaux.
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Expensive to own vineyard land in Long Island

7. With its close proximity to Manhattan, Long Island can be one of the most expensive places to own a winery in North America.
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Long Island wine sales
By Mark Jenney (Own work) [CC BY-SA 4.0], via Wikimedia Commons

8. A sizable chunk of Long Island wine sales come from tourists visiting the North and South Forks during the summer season.
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Birds attack Long Island vineyards
http://www.cgpgrey.com [CC BY 2.0], via Wikimedia Commons

9. A big threat to Long Island’s wine industry comes from birds. Being on a migratory route for numerous species, they can destroy a vineyard in a matter of days, requiring winemakers to net their vines.
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Long Island wine threatened by hurricanes

10. Another threat comes from storms and hurricanes that have caused severe damage throughout the American northeast.


The International Wine & Food Society is proud to have a strong presence across the state of New York with branches in New York City, Long Island and Buffalo. Please click on any of the links to visit their respective websites.

Sources:

Cattell, Hudson. Wines of Eastern North America: From Prohibition to the Present—A History. Ithaca: Cornell University Press, 2013.
Clarke, Oz & Spurrier, Steven. Clarke and Spurrier’s Fine Wine Guide. Boston: Houghton Mifflin Harcourt, 2001.
Harding, Julia. The Oxford Companion to Wine. Oxford: Oxford University Press, 2015.
McCarthy, Ed & Ewing-Mulligan, Mary. Wine For Dummies. West Sussex: Wiley, 2011.

Pinney, Thomas. A History of Wine in America: From Prohibition to the Present, Volume 2. Berkeley: University of California Press, 2005.
Long Island Wine Region Statistics. The Long Island Wine Council. LIWine.com. Retrieved from http://www.liwine.com.


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