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Above Right: Nik Weis

Reminded this month how wonderful Riesling from the Mosel can be with their amazing ability to age. A treat showing of 14 wines by Nik Weis Owner & General Manager of St. Urbans-Hof (www.urbans-hof.com) confirmed this brilliantly. This respected producer has close ties with Canada because their Weis clone (21-B) of Riesling was planted in 1978 at Tantalus (previously Pinot Reach), Sperling, and Summerhill in B.C. & Vineland in Ontario among others. As Nik so aptly put it they have been the Noah`s Ark for Riesling vines.

The first 3 wines served were Kabinett (no added sugar) of at least 70 Oechsle (around 16 Brix) which results in light, ripe, healthy but not over ripe styling. They used to be before global warming even drier and lighter than they are with current vintages. The differences in the vineyards shone brightly with the liquid gold of the Goldtropfchen from Piesport richer than the Bockstein from the cooler Ockfen in the Saar with typical floral lilac violet and even tars. Respect how Nik believes every year is different and unique always looking of for that magical moment to stop the fermentation with the right amount of residual sugar and acidity still in balance. This is really the art of not winemaking a term Nik does not like but caretaking to make the best wine naturally.

Next came 5 wines from Spatlese grapes which Nik compares to a ripening banana with some browner spots giving more flavour and spice. More minerality was shown here which led into a discussion about the smell of petrol (from marmalade to kerosene). Nik feels that petrol should not be too prominent to be out of balance to the other key elements of the wine. If it completely dominates he feels that it is caused by being grown in an environment that is too dry & hot not the most suitable terroir for Riesling. Here we tasted Laurentiuslay their warmest vineyard from older vines back to 1951 facing South-South West showing the most mineral oils and petrol aspects. The 1998 was a cool vintage showing almost atypical delicacy for Goldtropfchen but with that usual honey beeswax spiciness.

A spectacular finish of 4 Auslese, 1 Eiswein, and one TBA showed so much more richness and complexity. Asked Nik about the old days when the experts told us the Mosel & Saar relied so much on their bright fruit acidity that sometimes this was lost on the very sweet wines. Rheingau was said to have a more steely underlying structure to support these late harvest beauties. Nik replied that the region had changed with so many Rheingau wines now focused on producing Trocken from Auslese grapes. Nonetheless these wines were superb with my favourite the delicious 1997 Bockstein Auslese that was so fresh and alive that it didn`t seem sweet. 1990 was also a treasure but so much fuller richer softer with maturing colour. Icewine takes advantage of the cooler Bockstein vineyard with excellent balance for the honey caramel floral spieces! TBA is picked berry by berry at 200 Oechsle (divide by 4 for about 50 Brix) and only 6.4 alcohol. What a nectar!

Tip: Nik very enthusiastic about vintage 2015 as a once in a lifetime year so a must buy.

The wonderful wines in serving order all by St Urbans-Hof:

2012 Goldtropfchen Kabinett

2012 Bockstein Kabinett

2004 Goldtropfchen Kabinett

2002 Bockstein Spatlese

2002 Laurentiuslay Spatlese

1998 Goldtropfchen Spatlese

2007 Bockstein Spatlese

2007 Laurentiuslay Spatlese

1990 Bockstein Auslese

2010 Laurentiuslay Auslese

2007 Bockstein Auslese

2006 Goldtropfchen Auslese

2002 Bockstein Eiswein

2011 Goldtropfchen TBA

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By Joseph Temple

Last week the wine world was abuzz after billionaire Bill Koch announced that he was auctioning off part of his massive collection to the general public. According to CNBC, approximately 20,000 bottles are up for grabs with Sotheby’s estimating that the entire collection will raise somewhere in the neighborhood of $10 to $15 million dollars. Oenophiles may know Koch as the man who (besides his last name) spent large sums of money battling counterfeiters, most notably in the case surrounding a series of bottles purportedly owned by Thomas Jefferson. Writing about his penchant for wine collecting, author Benjamin Wallace in the 2008 book The Billionaire’s Vinegar states, “He [Koch] started buying an average of 5,000 bottles a year, an acquisition rate he would maintain through the late 1980s. Systematically, Koch set out to assemble drop verticals of four iconic wines; eventually he would own 95 years of Petrus, 100 years of Latour, 120 years of Mouton, and 150 years of Lafite.”

With such an impressive selection of the rarest wines from Bordeaux and Burgundy, wealthy collectors from around the world are expected to bid top dollar when all these bottles go up on the auction block in May. “Even if you don’t like his family’s politics, Koch’s name alone on the wine list, is enough to entice the most discriminating buyer, “ said Adrien Falcon, wine director at two Michelin ranked restaurants. And below are just five lots that eager aficionados will surely fight tooth and nail over to acquire.

By Michal Osmenda from Brussels, Belgium (Domaine de la Romanée-Conti) [CC BY 2.0], via Wikimedia Commons

For Burgundy collectors, their mecca sits on just 4.46 acres of land in the region of Côte de Nuits. It is here where Romanée-Conti, a grand-cru owned by the legendary Aubert de Villaine gave the world some of the finest pinot noir ever made. Seeking out the very best from this iconic vineyard, many point to the 1959 vintage, which Michael Broadbent described as “faultless” with “excellent tannin and acidity.” Of course, the year also marked a turning point in wine collecting. With a devalued French franc, many Americans decided that it was the perfect time to enter the marketplace. Under this backdrop, Sotheby’s expects that just three precious liters of Romanée-Conti 1959 are likely to earn Koch up to forty thousand dollars.

By Benjamin Zingg, Switzerland (Own work) [CC BY-SA 2.5], via Wikimedia Commons

Another lot that’s guaranteed to sell quickly contains ten scarce bottles of Château Mouton Rothschild’s 1945 vintage—a vintage Decanter magazine called “the greatest claret of the 20^th century” and that Robert Parker christened “a consistent 100-point wine (only because my point scale stops at that number).” But in addition to what’s inside the bottle is the iconic “V for victory” label design. Beginning in 1945 and signaling a bold new era in wine marketing, owner Baron Philippe de Rothschild would commission a different artist each year to design their now famous label. This decision, along with some exceptional harvests eventually led to Mouton Rothschild’s upgrade to a First Growth Bordeaux in 1973. Don’t be surprised if Sotheby’s receives several six-figure bids on this lot.

By PA (Own work) [CC BY-SA 4.0], via Wikimedia Commons

With roots that date back to the Middle Ages, Château Lafite Rothschild, the largest of the First Growths experienced a tremendous run of outstanding vintages from about 1945 to 1962. While never quite as good as Latour, wine writer Oz Clarke identifies two years in which the famous Lafite towered over its competition before entering a period of malaise: 1976 and 1953. According to Michael Broadbent the latter is “… not a wine to describe. Words simply cannot do it justice. If you are ever fortunate to share a bottle, just let it speak for itself.” Unfortunately, this experience won’t be cheap; a lot of six magnums may cost you $35,000 at auction.

By BillBl (originally posted to Flickr as Chateau Latour I) [CC BY 2.0], via Wikimedia Commons

Today, many oenophiles tend to roll their eyes whenever a particular year is dubbed “the vintage of the century.” Just like overzealous boxing promoters who declare their next prizefight to be the battle of the century, its overuse has turned the description into a worn-out cliché. However in 1961, the public really took to the idea that two phenomenal vintages could occur in just three years. And right they were! In this case, the ’61 really did deserve the praise it received, especially at Château Latour, which The Wine Cellar Insider describes as “Powerful, full bodied, intense and deep … elegance meshed with power.” Praised universally by wine critics—including a 100-point score from Robert Parker, the six magnums for sale could collectively go as high as $60,000.

By Benjamin Zingg, Switzerland (Own work) [CC BY-SA 2.5], via Wikimedia Commons

Every fan of Bordeaux knows all about the magical year that was 1982. Possessing near-perfect grapes throughout the region, Robert Parker of The Wine Advocate declared it to be (yet again) the “vintage of the century”—a watershed moment that sparked unparalleled interest in wine collecting. Symbolizing the best of the best, Château Petrus, the undisputed king of Pomerol produced what Parker described as “the most perfect and symmetrical wine” that he had ever tasted. So expect six magnum bottles from this year to reach as much as $10,000 each.

Sources:

Broadbent, Michael. Michael Broadbent’s Pocket Vintage Wine Companion. London: Anova Books, 2007.
Broadbent, John Michael. Michael Broadbent’s Vintage Wine: Fifty Years of Tasting Three Centuries of Wine. Boston: Houghton Mifflin Harcourt, 2002.
Clarke, Oz. Oz Clarke’s Bordeaux: The Wines, the Vineyards, the Winemakers. Boston: Houghton Mifflin Harcourt, 2007.
Coates, Clive. The Wines of Bordeaux: Vintages and Tasting Notes 1952-2003. Berkeley: University of California Press, 2004.
Geier, Ben. (2016, March 30). Bill Koch is selling off his epic $15M wine cellar. Fortune. Retrieved from http://fortune.com.
Greene, Kerima. (2016, April 2). William Koch’s wine collection headed to auction. CNBC. Retrieved from http://cnbc.com.
McCoy, Elin. The Emperor of Wine: The Rise of Robert M. Parker Jr., and the Reign of American Taste. New York: HarperCollins, 2005.
Potter, Maximillian. Shadows in the Vineyard: The True Story of the Plot to Poison the World’s Greatest Wine. New York: Grand Central Publishing, 2014.
Wallace, Benjamin. The Billionaire’s Vinegar: The Mystery of the Most Expensive Bottle of Wine. New York: Three Rivers Press, 2009.
Wine Legends of 2011: Château Mouton Rothschild 1945 . Decanter. Retrieved from http://www.decanter.com.

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Question: What is a good wine match for a dinner where the main course is grilled salmon?

Answer: Lots of wines that will show your fish dish to best advantage. Salmon flavours can vary a lot from the rich oils of Spring (Chinook or King) to drier less oily deep coloured Sockeye or more trout like Steelhead. Andre Simon in “Partners” made a very specific recommendation of Batard-Montrachet but most white Burgundy should make a sublime pairing. Also popular these days is a lighter red – usually from the pinot noir variety. Experiment.

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For many decades this scribe has been an enthusiastic fan of German Pradikat wines. I appreciate that it only describes the natural sugar content of the harvested grapes but those Kabinett (lighter & off-dry), Spatlese (slightly sweeter with more depth) and Auslese (richer almost dessert itself) wines are nearly always delightful drinking with good acidity balance. More recently Trocken (less than 9 grams of residual sugar) and Halbtrocken (off-dry with 9-18 grams) are becoming the wines of choice. I recall my visits in the eighties to Schloss Johannisberg near Geisenheim and questioning the winemaker why they would “waste” quality auslese grapes on a trocken wine. I posed “Why not drink more Loire dry whites”? The answer was that because the German consumer increasingly wanted their best local grapes made into a top quality drier style wine to be served with food. What a reality that has become!

Early on I found some trocken wines just a bit too sour, astringent and dominated by acidity lacking in enough fruit for my palate. Maybe my bias was showing. Today they certainly are much improved across the board with key specific sites and physiological ripeness ensuring higher quality in the resulting wines. This was driven home to me last week with a old favourite course for dinner of fresh Dungeness crab. Often my chosen wine pairing is an aged Chablis Grand Cru or Premier Cru or Meursault Perrieres both of which work so well. This time for a Tuesday night thought why not try a simpler 2007 Riesling Trocken from Fritz Haag. What a revelation! Remember back when this top producer at Brauneberg in the Mosel sold basic dry Riesling in litre size bottles. Now they clearly are recognized as an outstanding Riesling producer. This 2007 wine in screw cap was so expressive of apple, peach and minerals. Appropriately dry but not Chablis-like instead showing a little sweetness of ripe fruit that complemented those same flavours in that delicious crab. An amazing ethereal match.

I am finally converted to a greater appreciation of top German Riesling trocken wines with some food dishes. Have you found one you really like?

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By Joseph Temple

*** WARNING: SPOILER ALERT ***

“Wines are generally known because they come from one special place, one appellation,” says Bollinger’s Ghislain de Montgolfier. “Champagne is known by the brand and the name of the owner. We transformed appellations into brands.”

This thought-provoking statement provides an excellent starting point for David Kennard’s 2014 film A Year In Champagne. Following the success of his previous documentary, A Year In Burgundy, Kennard heads north to a place where the wine is synonymous with wealth and prosperity. Interviewing six local winemakers over the course of 365 days, viewers are given a rare backstage pass to the 2012 harvest, seeing the trials and tribulations of a region that as one interviewee states, “understood very early how to connect to the spirit of celebration.”

It is ironic considering the images we see throughout the movie. In comparison to Bordeaux and Burgundy, which receive a decent amount of sunshine; Champagne—the most northerly wine growing region in continental Europe—appears to be cold and dreary. Torrential downpours can turn vineyards into mud baths while insects, rot and mildew represent a constant problem for the Champenois. With this sort of weather, it’s really no surprise that non-vintage champagne dominates the marketplace. “Our climate is right at the edge of what’s possible for winemaking,” declares Jean Pierre Palizon of the Corporation of Champagne Wine Makers.

Due to these conditions, the various houses are subject to rules—lots of rules. From pruning to cellaring, Champagne is governed by a rigid set of guidelines. Seeing row after row of vines that look almost identical, the film’s narrator jokingly describes them as “soldiers on parade.” Of course, failure to comply with this strict uniformity can result in the vineyard’s appellation status being taken away, leaving the vintner unable to sell his product. There is a zero tolerance policy on creativity or individuality here; a clear contrast to the jubilation we like to experience while sipping on millions of tiny little bubbles.

The Navarin Ossuary Monument
By François GOGLINS (Own work) [CC BY-SA 4.0], via Wikimedia Commons

The region’s war-torn past also provides juxtaposition to the joy and happiness we often associate with champagne. Using black and white footage of the First World War along with some impressive shots of the Navarin Ossuary Monument, a pyramid-shaped structure containing the remains of 10,000 unknown soldiers, we learn how some of the bloodiest battles in history have been fought here. Since the time of Attila the Hun, Champagne has certainly seen its fair share of invading armies, which culminated during the summer of 1918 when the Second Battle of the Marne resulted in nearly 300,000 casualties.

While there are many riveting stories in this movie, a few key events were missed, such as the 1911 riots and the bitter feud between the Aube and Marne regions over what constitutes authentic champagne. So if you’re eager to fill in the gaps, Champagne: How the World’s Most Glamorous Wine Triumphed Over War and Hard Times by Don and Petie Kladstrup is a great book to complement this film.

Another aspect that was lacking had to do with the influence of marketing. Although there is some great footage mixed in with some iconic advertising posters, there were also plenty of missed opportunities. For example, while interviewing one of Bollinger’s barrel makers, we see several James Bond movie posters on the wall. This shot could have been a great segue into explaining how champagne houses were at one time at the cutting edge of product placement marketing. After all, was it all just one giant coincidence that the Bollinger label is distinctly shown in several 007 movies?

Thankfully, the film truly excels at pulling back the curtain on these six winemakers over the course of a year. From the big names to the small family-owned estates that produce only a couple thousand bottles a year, this behind-the-scenes tour of their operations is simply fascinating. From the harvesting and pressing of grapes to seeing hundreds of miles of underground cellars where bottles go through a tedious riddling process, there are quite a few gems we get to witness. So if you’re interested in how bubbles are made, then definitely watch this movie.

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