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Ask Sid: Best Wine Gifts for the Holidays?

December 16th, 2015 by Joseph Temple
Ask your question here The International Wine & Food Society

Best Wine Gifts for the Holidays?

Question: I live in Victoria BC Canada looking for some special holiday wine gifts to buy to give to good friends and advisers all costing under $100 for each bottle. Please give me a knowledgeable tip for a quality white and a red Sid?

Answer: Like your hospitable idea of giving wine and especially your generous budget. Lots of candidates. I admire the 2013 Chablis Vaillons Cuvee Guy Moreau (80+ year old vines) from Christian Moreau at BCLDB specialty store in Victoria selling at $43.99 (or if you can still find it the more intense 2012) as a great value white for current enjoyment but even better with a few years more age. For the red I recommend the outstanding vintage of 2010 for Brunello di Montalcino Castelgiocondo from Marchesi de Frescobaldi $54.99. A tip is to save 5% by ordering 12 bottles at the same price as BCLDB from Everything Wine (www.everythingwine.ca) who deliver free for orders over $200. You can give some away and keep some yourself for cellaring. This wine though 15 alcohol is packed with ripe fruit and received high marks from most wine critics including James Suckling who gave it 97 and picked it as his #1 wine for 2015. K & L Wine Merchants in San Francisco have it at the same price of $54.99 but in US funds. Enjoy!


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Mouton Rothschild

December 14th, 2015 by Sidney Cross

Chateau Mouton Rotschild Bordeaux wine
By Benjamin Zingg, Switzerland (Own work) [CC BY-SA 2.5], via Wikimedia Commons

Mouton Rothschild was a Second Growth in the original 1855 Bordeaux Classification but by decree of June 22, 1973 it became instantly a First Growth.  I have been an avid follower of this property even before their elevated status and fortunate to have tried many of their old vintages. Some that were truly outstanding vintages included 1961, 1959, 1949, 1947 and 1945. However a couple of disappointing verticals of this property back to the late 1800s and early 1900s had some of us saying maybe that was why it was declared originally as a Second. I admire the history, their inception of chateau bottling, the museum, and the unique distinctive labels (Dali 1958, Chagall 1970, Picasso 1973, and Warhol 1975). I also like the classy drinkability of the wines as well as their more value priced Fifth Growth Pauillac neighbouring stablemates Clerc Milon & D’Armailhac (formerly Mouton-Baronne-Philippe). Enjoying presently the perfumed stylish 1999 and riper 2003 of this latter wine while waiting for the 2000 to fully develop. The former chateau is much improved over the last 30 years with an impressive solid 1996. Look for both of these properties. It seems trendy among wine pundits presently to perhaps unfairly criticize Mouton as the most inconsistent of the First Growths though all of them have had their ups and downs. Certainly this was true during the difficult 1970s for many chateaux including Mouton and the 1990 vintage too but not warranted recently. I tried several vintages of Mouton over the last couple of months including a vertical back to 1975 and these are some of my brief impressions:

2006 & 2005: Both vintages impressive for their depth of fruit and age ability so continue to hold them.

2001: Lighter and more forwardly and can open them now. Prefer years 2002-2004 with 2003 best of the three but all approachable though not for me the very top quality of 2000 or 2005-2006 vintages.

1990: Some tannins left so decant but a little too lean with less fruit than ideal. Prefer both Pichon Baron & Lynch Bages.

1988: Some mocha-cedar bouquet but still tannic and the last year of that classic style vintage.

1986: Tried this several times in 2015 with 100 point Parker high expectations but though very dark concentrated with big fruit it still shows primary  and not seductively singing out yet. Show potential but suggest waiting a few more years.

1985: Like the elegance harmony and charm. 1985 often an under rated vintage while here again so delicious with round complex textures.

1983: Some August rains in the region but the wine surprises with balance and stylish drinkability.

1982: Several bottles tried consistently show rich ripe and fabulous fruit deserving the vaunted reputation and the high marks of Parker 100. Enjoy but will hold well too.

1979: Colour holding but simpler and ready for drinking now.

1978: The 2 different Jean-Paul Riopelle labels are intriguing but the wine is lighter and pleasantly mature. Consume.

1975: Cellared lots of this at a cheaper purchase price acquired in the late 1970s. Monitored it over many years and it started out very tannic hard and dry until more recently. Now has mellowed somewhat but still in that powerful tannic style that has a true Pauillac bouquet but shows better still with food like lemon glazed roasted rack & loin of lamb with roasted cauliflower & puree with dehydrated grapes.

1970: On release was considered an excellent year (coming after difficult 1969 & 1968) but beware of poorly stored bottles now. Latest one was a well stored example that was really beautiful with tobacco, cedar and all that special Mouton bouquet and taste! Classic.

Mouton Rothschild barrel room


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Tulip, Flute or Coupe: Which glass do you prefer for the holidays?

December 11th, 2015 by Joseph Temple

tulip, flute or coupe champagne glass, which one do you like?

By Joseph Temple

If you plan on popping the cork on a bottle of Champagne this Christmas or New Year’s, you’re not alone! According to several consumer studies, approximately one third of all sparkling wine sales occur in the joyful month of December. That’s probably because little celebrates the festive spirit more than an opulent bottle of bubbly! Whether it’s traditional Champagne, Prosecco, Cava or any of the many other sparkling wines produced around the world, that excitement of hearing a loud pop followed by your taste buds soaking in millions of little bubbles is almost tailor made for the holiday season.

With drinking fizz comes another vital decision you’ll have to make – which glassware to use?

Coupe

If you’re looking for a retro chic, Great Gatsby-esque feel to your holiday party, you might want to invest in some old-fashioned saucer or coupe glasses. A shallow cup that widens at the rim, legend has it that it was molded from the breast of Helen of Troy and later Marie Antoinette to give a sensual experience to those who drank from it. Popular in France from the 1700s to the 1970s, Americans will most likely identify this glass shape with the glitz and glamour of the Roaring Twenties, conjuring up images of both luxury and wealth.

Unfortunately, besides its throwback appeal, there aren’t many advantages to using a coupe. With a larger area exposed to air, not only does this increase the chances of spilling your glass but the bubbles and aromas will also dissipate much more quickly. And unlike a flute or tulip, it is difficult not to hold this glass by the bowl, which can heat the wine with your warm hands. So after you’ve built that champagne tower, you’ll need to drink it fast before it goes flat.

Flute

Like bubbles? Then you generally can’t go wrong with a tall and narrow flute—another staple of Hollywood extravagance. Due to a rough bead at the base of this glass, the bubbles will congregate and then quickly rise to the top.   Enhancing the smell and aromas, this style is especially recommended when drinking sparkling wines such as Prosecco and Cava since it shows off the bubbles better and will keep the drink colder for longer.

However, with older wines that need room to collect and develop, flutes may not be your best bet. Designed to retain carbonation, the smaller air space can result in many of the flavors and aromas of more complex vintages getting lost in the shuffle.

Tulip

Perhaps technically the best glass among Champagne aficionados is the tulip. With a slim base and a wider bowl, you get all the bubbles of the flute but more room for the flavors and aromas to develop without losing carbonation quickly.

Which one do you prefer? Vote in the poll below or add your two cents in the comments section.

Cheers!

Sources:

Golden, Jilly. (2014, October 14). Why we’re all using the wrong champagne glasses. Mail Online. Retrieved from http://www.dailymail.co.uk
Smedson. (2014, October 24). Which Champagne glass shape is the best? Glass of Bubbly. Retrieved from http://www.glassofbubbly.com
Zraly, Kevin. Windows on the World Complete Wine Course. New York: Sterling Publishing, 2010.


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10 food and wine trends from the 1970s

September 18th, 2015 by Joseph Temple

10 food and wine trends from the 70s

By Joseph Temple

Over this past summer, CNN aired The Seventies, an eight-part documentary series that dissected some of the most important events from this tumultuous decade.  Unfortunately, with Watergate, disco, the ERA, stagflation and a host of other topics placed under the microscope, the subject of food and wine was completely overlooked. Like, didn’t people eat anything before watching All in the Family and MASH? Did the staggering crime rates keep everyone from going out to a restaurant and having a glass of wine with dinner? Tom Hanks, one of the series’ executive producers really missed the boat by not highlighting some of the major culinary trends of this era. So as an addendum, here’s the skinny on ten food and wine crazes that helped to shape the “Me Decade.”

And if you have any fond memories from this era, please share them in the comments section below.

Catch you on the flip side!


Fondu 1970s party
1. Fondue

If you were a foodie in the 70s, then you’ll definitely remember the time you invited all your friends and family over for a far out fondue party! Before it became a staple on the garage sale circuit, fondue makers experienced an explosion in popularity and quickly became the must-have gift for millions of brides-to-be. Whether it was cheese or chocolate, cookbook author Rhonda Lauret Parkinson explains its appeal then and now: “There is something infinitely satisfying about gathering together around a communal dish to enjoy a meal. Not to mention the fact that everyone can cook the food according to his or her own preference.”

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Mateus Rose during the 1970s
2. Mateus Rosé

One of Portugal’s most popular exports, Mateus Rosé, with it’s instantly recognizable squat bottle design became the preferred wine for millions of Americans throughout the 70s. Along with lava lamps and shag rugs, a house party wasn’t complete until someone opened a bottle of this sweet tasting libation. Describing the brilliant marketing campaign conducted by Fernando van Zeller Guedes, wine writers Michael Bywater and Kathleen Burk explain, “He [Guedes] was, in a sense, trying to scoop up the beer drinkers from one side and the soda drinkers from the other. And he succeeded. Mateus Rosé achieved an almost unheard-of brand recognition, and this before the days of sophisticated demographics, computerized market research, or any of the other tricks of twenty-first century branding.”

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Quiche 1970s
3. Quiche

In 1963, culinary goddess Julia Child showed viewers how to make a standard Quiche Lorraine on an episode of her iconic show The French Chef. Less than a decade later, variations of the dish would flourish in kitchens across America. Symbolizing the freewheeling spirit of the 70s, nothing was off limits when it came to quiche. “Standard Quiche Lorraine became boring, as restaurants and cooks experimented with every type of quiche, from leek and anchovy to moussaka quiche with eggplant, tomatoes, onion, and lamb,” wrote Sherri Liberman.

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1970s White Zinfandel
4. White Zinfandel

Today, many oenophiles scoff at the idea of drinking White Zinfandel. But back in the 70s, there was no denying its phenomenal success, especially the blend accidentally created by Bob Trinchero at the Sutter Home Winery in St. Helena. According to the winemaker, in 1975, nearly “1,000 gallons of red Zinfandel refused to ferment to dryness, “sticking” with a substantial amount of sugar left in it … Two weeks later, I tasted that wine and it was sweet, had a pink color … We bottled it, and the rest is history.” And by 1987, the first year that varietal wines outsold jug products in America, white Zinfandel had the largest market share with 28 percent and over 2.5 million cases sold.

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1970s Crockpots and Microwaves
5. Crock-pots & Microwaves

As more women entered the labor force in the 1970s, just to keep up with the increased cost of living, it was estimated that a wife with kids worked approximately fifteen more hours per week than her husband. To ease this enormous burden, new labor-saving appliances were beginning to phase out the traditional home-cooked meals across suburbia. One of these inventions, known as the crock-pot allowed families to enjoy a tender and tasty meal from something they quickly put together before heading out in the morning. And in addition to this slow cooker, the microwave became mainstream, giving people the option of nuking their leftovers and TV dinners in mere seconds. Overworked and stressed out from all the decade’s troubles, convenience now reigned supreme.

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Sunday Brunch in the 1970s
6. Sunday Brunch

“You do not eat brunch. You do brunch,” wrote Ira Krasnow in the Chicago Tribune. A cherished ritual symbolizing how much Americans valued their free time, “doing” brunch on a late Sunday morning was one of the most rewarding activities to engage in after a chaotic work week. Whether it was orange juice or a Bloody Mary you drank with your Eggs Benedict, the casual and stress-free atmosphere became almost therapeutic for millions of families struggling with the uncertainty synonymous with the 70s. Explaining how the “anything-goes” meal became a metaphor, Krasnow writes, “With the loosening of Sunday’s rigid schedule of church and dinner, a relaxed and informal brunch is a reflection of this freedom … And maybe because anything goes, people adore it.”

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7. Salad Bars

With a greater demand for convenience, it was no surprise that fast-food chains expanded rapidly during the 1970s. But as they grew in size, many health advocates worried about the kinds of food being served at these restaurants, which usually contained high amounts of cholesterol. So to show the public that they too were concerned about growing waistlines, a new concept was unveiled—the salad bar! Originally invented in 1971 at R.J. Grunt’s in Chicago, these bars, usually featuring dark wood paneling and brass fixtures, offered what appeared to be a nutritious alternative to greasy hamburgers and french fries. Unfortunately, with toppings that included artificial bacon bits and ranch salad dressing, the health benefits could be few and far between.

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Pasta primavera 1970s
8. Pasta Primavera

Making its debut at the uber-trendy Le Cirque restaurant in New York City, pasta primavera, consisting of noodles mixed with an assortment of vegetables quickly became one of the decades most ordered meals. Described by one food critic as a “death match between French and Italian cuisine,” what was originally intended as a seasonal dish (Primavera means springtime) had a revolutionary effect on the way Americans viewed Italian food. David Kamp in his book The United States of Arugula states, “The very fact that a pasta dish could get attention at a French restaurant, and that Americans were willing to veer away from their old red-sauce preconceptions of spaghetti, augured well for Italian cooking in the United States.”

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Sauces and dressings in the 1970s
9. Sauces & Dressings

Whether it was steak, fish or salad on the dinner table, you could always count on one thing: a steady stream of sauces and dressings for you to smother on top of your food. With so many health-conscious Americans these days, it’s easy to forget just how fashionable it once was to drench your salad with Hidden Valley Original Ranch dressing before pouring Hollandaise on your Eggs Benedict. Of course, with all these rich and heavy foods that certainly clogged up plenty of arteries by the end of the decade, it was only logical that a counter-movement, emphasizing “low-fat” and nutritious alternatives would gain steam with consumers as the 1980s began.

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Judgment of Paris 1976
10. Judgment of Paris

To celebrate America’s Bicentennial, a blind tasting was organized in the city of Paris by British wine merchant Steven Spurrier. With the best wines from France and California squaring off, it was assumed that the latter, known for producing mostly “cooked” bottles that were extremely high in alcohol, would easily go down in defeat. But just as Rocky Balboa that year shocked the world in his fight against Apollo Creed, America would score a huge upset by beating the French in a tasting that became a watershed event, known as the Judgment of Paris. From that moment on, California became a major player in wine circles around the world.

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Sources:

Bywater, Michael & Burk, Kathleen. Is This Bottle Corked?: The Secret Life of Wine. New York: Harmony Books, 2008.
Hesser, Amanda. The Essential New York Times Cookbook: Classic Recipes for a New Century. New York: W.W. Norton & Company, Inc., 2010.
Kamp, David. The United States of Arugula: How We Became a Gourmet Nation. New York: Broadway Books, 2006.
Liberman, Sherri. American Food by the Decades. Santa Barbara: Greenwood Publishing, 2011.
Murphy, Linda. (2003, July 3). White Zinfandel, now 30, once ruled the U.S. wine world / The wine snobs won’t touch it, but that’s their loss. San Francisco Gate. Retrieved from http://sfgate.com.
Parkinson, Rhonda Lauret. The Everything Fondue Cookbook: 300 Creative Ideas for Any Occasion. Avon: F&W Publications, 2004.
Patterson, James T. Restless Giant: The United States from Watergate to Bush v. Gore. New York: Oxford University Press Inc., 2005.
Ternikar, Fahra. Brunch: A History. Lanham: Rowman & Littlefield, 2014.


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It is a new Europe we are building: the incredible story behind the 1945 Château Mouton Rothschild

April 24th, 2015 by Joseph Temple

It is a new Europe we are building: the incredible story behind the 1945 Château Mouton Rothschild

By Joseph Temple

“Without doubt the greatest claret of the 20th century,” declared Decanter magazine.  “Simply unmistakable” proclaimed Christie’s Michael Broadbent.  “A consistent 100-point wine (only because my point scale stops at that number),” wrote Robert Parker. With endorsements like these, it was no surprise that a new world record was set in 2006 when a six-magnum case of 1945 Mouton Rothschild sold for a staggering $345,000.  This, of course, begs the question:

What makes this particular bottle so valuable–and so memorable?

For the answer, you need to travel back in time to one of the darkest periods of the Second World War.  After the fall of France, Bordeaux, with its close proximity to the Atlantic Ocean was of enormous value to Berlin, who wanted to avoid sending its submarines through the North Sea.  And by 1943, the Kriegsmarine had built a massive U-boat base near the town, giving the German Navy direct access to Allied shipping routes.  Of course, in addition to its geo-strategic importance, the region of Bordeaux, and its world-famous vineyards also became a prime target for exploitation—especially if a Rothschild owned them.

As the Wehrmacht began occupying the French coast, the Jewish-owned Château Mouton Rothschild would feel the effects of Nazi barbarism perhaps more than any other estate.  Converting Mouton into a communications command center, nearly 4,000 pieces of art were stolen from the property while German soldiers regularly used family portraits on the walls for target practice, leaving the home riddled with bullet holes by the time of its liberation.

With its owner, Baron Philippe de Rothschild living in exile, the day-to-day operations of running the château were placed under the command of what the French scornfully called Weinführers—men whose job it was to purchase and ship the best wines back to Germany; there, they would be sold on the international market at a huge profit to help fund Hitler’s war machine.   Assessing the entire French wine industry for bottles that could bring in a large infusion of hard currency, a key area of interest became Bordeaux, which included Mouton, a notable second growth.

Fortunately for the Bordelais, their Weinführer stood in stark contrast to the actions of many soldiers in the region.  Heinz Bömers, although employed by the Third Reich, had been a wine importer long before the war and on good terms with many vintners in Bordeaux.  “Let us try to continue our business as normally as possible,” he would tell the community at large.  And to prove he had their interests at heart, Bömers would do his best to save the most valuable vintages from Nazi pillaging.

One memorable story told in Don and Petie Kladstrup’s book Wine & War involves Château Mouton Rothschild and Hermann Göring.  Despite its Jewish ownership, the Field Marshal absolutely loved the wines from Mouton, demanding that numerous cases be shipped to his Carinhall estate.  Bömers however despised Göring, instructing French winemakers to fill them with vin ordinare instead.   All these efforts during this difficult time would not go unnoticed by Baron Philippe de Rothschild, who agreed to let the ex-Weinführer represent Mouton in Germany after the war.

Bordeaux is liberated in 1944The liberation of Bordeaux, August 28, 1944. Musée d’Aquitaine.

With the liberation of Bordeaux in August of 1944, Rothschild came back to his beloved château, vowing to rebuild the empire he helped to create.  Despite living in a state of chaos where wires were cut and telegraph poles were down throughout Pauillac, Mouton’s 1945 harvest proved to be something extraordinary, leading to a vintage that became the envy of all his first-growth competitors.

After an unusual frost in early May, the dry and humid summer that year would lead to some very ripe grapes and an alcohol content approaching 15%.   Describing the situation, Decanter magazine wrote, “The vineyard had not been renovated for some years, although this was probably an advantage, since it increased the proportion of old vines in the 1945. The wine would have been fermented in large wooden vats, but there would have been few, if any, new oak barrels in the cellar.”  Over time, all these factors would lead to “power and spiciness [that] surge out of the glass like a sudden eruption of Mount Etna: cinnamon, eucalyptus, ginger… impossible to describe but inimitable, incomparable,” according to Michael Broadbent.

For many collectors, the bottle’s iconic label turned out to be just as important as what was inside the bottle.  Since taking over the estate, Rothschild proved to be a gifted marketer, introducing a number of firsts in the industry.  Unlike other wineries that shipped their product in bulk to merchants who then stored it, Mouton would be the first in Bordeaux to do what was called château bottling.  This allowed him to distinguish his product from the plethora of lower quality wines, thus increasing the value of the brand.   For the first vintage under this new system, Rothschild would commission artist Jean Carlu to design the label that included his now famous signature—something very unique at the time.  But for Mouton’s first bottles of the post-war world, a powerful reminder of what Europe had just endured was urgently needed.

In addition to Winston Churchill’s famous V for Victory, French illustrator Philippe Jullian would add the inscription “Année de la Victoire” to this now famous label.  With people celebrating in the streets throughout western Europe, the marketing campaign proved to be just as flawless as the wine itself, making Mouton the unofficial wine of Allied triumph.  It was so successful that every year since 1945, Rothschild has commissioned a different artist to design the label from Pablo Picasso to Andy Warhol, making these wines the Holy Grail for collectors.

For Baron Philippe de Rothschild, victory inevitably led to vindication when in 1973 Mouton was upgraded to a first-growth.   The only change ever to Bordeaux’s original 1855 Classification, this decision also changed the chateau’s motto to Premier je suis, Second je fus, Mouton ne change. (“First, I am. Second, I used to be. Mouton does not change.”)  In less than a thirty-year time span, Mouton had rose to the top by capturing the attention of oenophiles across the world.

More than seventy years since V-E Day, the 1945 Mouton Rothschild has come to symbolize much more than what Robert Parker calls “truly one of the immortal wines of the century.” The perseverance of Rothschild and his winemakers to harvest the greatest vintage of the century despite the enormous obstacles is truly remarkable.  But even more impressive was Rothschild’s ability to rebuild an empire stolen from him, making it even stronger in such a short period of time.  As he would tell the former Weinführer Heinz Bömers who asked to represent the estate in post-war Germany: “Yes, why not. It is a new Europe we are building.”

Sources:

Coates, Clive. Grands Vins: The Finest Châteaux of Bordeaux and Their Wines. Berkeley: University of California Press, 1995.
Davis, Charlotte Williamson. 101 Things to Buy Before You Die. London: New Holland Publishers, 2007.
Kladstrup, Don and Petie. Wine & War: The French, the Nazis & the battle for France’s greatest treasure. New York: Broadway Books, 2002.
Meltzer, Peter (2006, Oct 2). Christie’s Shatters Auction Record Twice. Wine Spectator. Retrieved from http://www.winespectator.com
Rothschild, Hannah. The Baroness: The Search for Nica, the Rebellious Rothschild. New York: Random House, 2012.
Siler, Julia Flynn. The House of Mondavi: The Rise and Fall of an American Wine Dynasty. New York: Gotham Books, 2007.
1945 Mouton-Rothschild, Pauillac. K&L Wine Merchants. Retrieved form http://klwines.com
Wine Legends of 2011: Château Mouton Rothschild 1945 . Decanter. Retrieved from http://www.decanter.com


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